"There's something delicious about writing those first few words of a story..."
The other night, I pulled out
Miss Potter, and was reminded why it's stuck with me for so long. Normally, I'm an action/scifi/adventure type of movie watcher, but every time I watch
Miss Potter, I discover something new to love about it.
Miss Potter follows the adventures of one Miss Beatrix Potter, an unmarried woman in her thirties who is frowned upon for trying to publish her book. Beatrix is shut up in her house with no friends for the large majority of the time and decides to make the best of it by drawing. When she finally finds a publisher, she befriends him and his energetic sister and realizes that she deserves better than what she has already.
Miss Potter tells the story of a beloved author trying to find herself.
In the past, I classified
Miss Potter as a romance, but after this rewatch, I realized that it really isn't. Although there are some romantic aspects of it,
Miss Potter is about one woman's journey towards realizing her dreams and becoming truly independent. At the beginning of the film, she is thirty-two, unmarried, and lives with her controlling mother and laid-back father. She even has a chaperone who follows her wherever she goes. She is independent, but forced to be dependent. Her mother tries to squash her dreams of becoming an artist. Throughout the film, we watch as Beatrix struggles to break free and become her own person, instead of the person that her parents want her to become. Her courage and determination are inspiring and entertaining.
The acting is beautifully done. Renee Zellweger is completely believable, and completely un-Renee-Zellweger. She truly is Miss Potter. The supporting cast is similarly brilliant, particularly Ewan McGregor as Beatrix's publisher, Norman Wayne, and Emily Watson as Millie, Norman's sister. These moving performances contribute to the strength of the story.
One of my favorite things about
Miss Potter is the animations of Beatrix's drawings. Her watercolors are adorable, and with a touch of filmmaking magic, they become even more so. Peter Rabbit literally bounces off the page. Jemima Puddleduck waddles her tail obligingly as Tom Thumb and Hunka Munka scamper off their paper. The animation is beautifully done, and not overdone. It helps the audience realize that these aren't just drawings to Beatrix--they're real, and they're her babies.
I can't say enough good things about this film. It's sweet, charming, real, and funny, with a touch of heartwrenching feels. I highly recommend it for any lover of Jane Austen, any lover of period films, and of course, any lover of Peter Rabbit.
